16″ x 20″Acrylic on Canvas
Brianna has painted a city scene full of contrasts. It displays the human energy of a city and yet the scene is uninhabited. There are straight lines and curves, arrows and open spaces, black and white, abstract and figurative elements. This piece creates whimsy and mystery.
Often in a painting the more contrast represented, the more interesting the painting. It certainly captures my imagination. Does it capture yours as well?
Acrylic on Canvas 16″ x 20″
Maggie began her first abstract painting with gusto. According to Maggie “it was great to experience new materials, layering and mixing color”.
Some of the new tools and materials;
palette knives, metallic acrylic paint, old, worn out bristle brushes, a comb and a brush recycled from a home hair color kit
24″x 24″ “Toy Box” Acrylic on Canvas by Claudia
Last post, Betsy’s work illuminated the benefits of painting still life to isolate a challenging skill, by practicing with still life objects. Betsy’s work is exceptional, but her intent was simple.
Today, Claudia’s piece takes still life out of the realm of fruit and bottles and brings a conceptual intention to still life painting. In other words, this painting is about conveying more than the fruits of technical achievement.
What do you think the artist had in mind?
12″x12″ Acrylic on Canvas by Betsy
Why make the effort to paint still life? To learn.
What might I learn? To work from life. To mix color. To create a composition. To handle reflections. To understand color and mix color intensity. To vary edges. To understand values…
In this piece, Betsy concentrated on value work.
Betsy innately understands line. Her line work is fluid and expressive. The rendering of lights, darks and midtones does not come as easily to her. Painting still live offered Betsy the opportunity to isolate the value work. To squint her eyes and understand each shade of value and the shapes they made in the bowl, bottle and carrot. It allowed her practice with the values within each object. In turn, the values help to create an illusion of three-dimensional form.
I think that Betsy’s vibrant color and expression transcends the three common objects she used for this exercise. What she learned here will carry over to her next piece, whatever she chooses to make.
Understanding how to paint a boring old still life can help you create magic in all of your work. It can allow you to concentrate on a particular skill while employing those that you have already integrated into your artistic bag of tricks.
OR you can set out to arrange a still life that is anything but expected. Check back next time…
“More gold has been mined from the thoughts of men than has been taken from the earth.” ~Napoleon Hill
The story of Midas has been retold for centuries to warn children of the dangers of greed. In the myth, the great king wishes for the power to turn all that he touches into gold, and inadvertently loses the thing that he holds most dear as his daughter becomes a golden statue beneath his embrace. The myth actually did not inspire my original concept for this painting, but once I had finished, the allusion was so crystal clear that I couldn’t ignore it. As for my interpretation, the gold is climbing up her (well, my) neck as though it is about to suffocate
her me, creating a feeling of distress as the gold creeps closer to the mouth.
So, what’s up with the title? At first, I wanted the title to be the name of Midas’s daughter (which could be Aurelia, Zoe, or Marigold depending on which version you read). Then, as I reread the myth, I learned that all the gold created by Midas was dumped in a river and flowed downstream to the kingdom of Lydia, which became incredibly wealthy. The name Lydia stuck out to me because 1) it’s a girl’s name so I could keep the subtle reference to Midas’s daughter, and 2) Lydia is a nickname for Claudia. As I hinted above, I used myself as the model for the piece, making this my first semi-self portrait. I wouldn’t count it as a full self-portrait because I didn’t try too hard to keep the features exact and also because I didn’t look much like myself in the photo reference in the first place. Similarly, Lydia is close but not quite my name, thus it seemed like the perfect title.
The piece was an ominous portrayal of the future consequences of the vanity and materialism ailing our society. It is the first of many in a new series portraying the sources of fear and distress unique to each individual. I’m excited for this new line of inspiration!
PS: Interested in a print? Want to give me a “like”? Check the piece out here http://www.bluecanvas.com/art-detail/492281
This is a terrific new piece by Mackenzie aptly called “The Troll”
Mackenzie chose the objects for this still life and placed them herself. She then used soft pastels to complete her painting. I think the painting bursts with life, even though it is a “still” life.
“Dreaming in a world of dresses… where school doesn’t exist…beep (bell)…till next class”-Kerri
Indigene knows what it means to be an inspiration. Her fabulously colorful and personal work is not to be missed.
She has graciously bestowed the VERY INSPIRING BLOGGER AWARD on this blog. There are lots of rules connected to receiving awards, and this one is not an exception, but…in art nothing is wrong, so I’m going to take some liberties with the rules. I do however, want to thank Indigene wholeheartedly for her support and for the award-Thank you!
And, I would like to nominate The Wandering Youth as well as Blue Paper Lanterns for truly inspirational blogs about making art. These young blogger/artists beautifully document what inspires them and in turn, they really do inspire others. So, we can skip the rules this time and simply honor these young artists. Their blogs certainly deserve more attention. If you are not already following, have a look at what they making.